How can grief over loss, longing and love coexist?

A street sweeper has just lost his sister, but must carry on with his work and comes across a child.

A whirlwind of emotions is stirred up here during the Rio Carnival, a huge spectacle. They grow ever more intense. Through its main character, the film weaves together the cycle of life with the power of tradition, sensitively and magically incorporating surreal elements.

The director has repeatedly addressed social issues in Brazil through dance films.

Children and war. The film conveys hope for a better future. The strength of youth and solidarity lies at the heart of its message. The film gives Ukrainian children a voice, so to speak, by combining choreography – that is, art – with (non-fiction) filmmaking. A physical journey for the children, from inner chaos towards harmony: dance thus becomes a universal language of healing, for here emotions and trauma can be expressed beyond words.

Gino, played by Jhon Espelita, is 19, lives in the Philippines and loves hip-hop and street dance more than anything. For him, dancing means freedom, self-expression and a sense of community. But his family do not approve of his desire to become a dancer rather than a car mechanic. His other job applications have been unsuccessful. The conflict escalates, of all times, just as preparations for the dance competition are getting underway. When he makes his decision, it has dire consequences. Whilst his father is in hospital, Gino takes part in the contest with his crew.

The writer and director, who is active in the scene and astonishingly professional, is just 21 years old. His film features brilliant street dance, performed in squares and on the streets – in stark contrast to the cramped, windowless flat.